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VV-machine

Veera Vartiainen, working under the name VV-machine, is a Helsinki-based multidisciplinary artist working with surreal, associative and modular imagery. Her practice combines vector-based digital art with physical materials: ecological, recycled and natural. Formats range from individual works and murals to installations, textiles and environmental works.

Vartiainen also works collaboratively, as an art educator in communal projects and as a curator. She has curated at Kosmos Festival since 2023 and is a member of the art collective Mermaid Slaughterhouse. Her curatorial and educational work builds contexts for artists and audiences outside traditional gallery spaces.

Vector Meditation Modular digital visual art series

Year: 2016–ongoing
Current technique and materials: scalable vector art, hand-mounted on recycled plywood, sealed with eco-branded resin, finished with hand-painted details
Edition: each core piece exists as a limited edition of 15 variations, custom size, colour and shape
Selected exhibitions: Asbestos Art Space, Hirvitalo, MUU Ikkuna, Purkutaide, Kosmos Festival, Yö Galleria, Aava taidepolku, Kunsthaus Jägermeister, Arctic15

Vector Meditation is built around six primary artworks. Each one is repeated in different colours, sizes and materials, using vector technology in a surreal, pop art-influenced process. The same base image is transformed through different materials and methods, creating limited variations rather than identical copies.

The series explores how far vector-based image making can be pushed into physical, ecological and repurposed materials. Techniques and materials change from edition to edition, reflecting an ongoing search for more sustainable ways to produce the works, from laser-cut plywood and natural pigments to hand-painted and assembled surfaces.

The imagery combines surreal and visionary elements with a modular visual language, making visible things that don't fit easily into realistic imagery: instinct, imagination, and ways of experiencing reality outside the immediately familiar.

The visual language of Vector Meditation has also developed into site-specific installations, wall works, textiles and applied collaborations.

Nautilustic Tentacoral

Core Pieces

6. Nautilustic Tentacoral

The meditative state between deep sea and outer space.

Infinity

5. Infinity

A reflection doesn’t see itself; it never really knows what it looks like from the other side.

Forever isn’t Endless After All

4. Forever isn’t Endless After All

The continuation of endless beginnings is an eternal loop of love and life.

Tripolarity

3. Tripolarity

Our present reality entangles itself in three parts: what was, what is, and what will be, but mostly in between.

Originating

2. Originating

When the elephant in the room is oversharing, listen to it.

Eaglelity

1. Eaglelity

Happy are those who have overcome their inner eagles (egos) and found balance within a distorted yin and yang.

Eggception
Alien Seed
Egg of Everything
Eggplentiful
Happy Egg
She Devil

Eggshibition

A group of smaller works derived from the larger Vector Meditation pieces.

The works continue the same modular visual language in a more condensed format, allowing variation, repetition and material translation to operate at a different scale.

Site-specific Installations from the series

Totemic Ambidextral Alien

Totemic Ambidextral Alien - Kosmos Festival 2023

Hands from two different dimensions, reaching for each other.

Built from the same modular visual system as the rest of the series, scaled up into a physical totem.

Lost in Connection - Purkutaide 2025 Parempi Maailma

Fat Lizard Label design

Label design for Fat Lizard Brewery

Photos by Pola Laamanen, Suvi Kervinen, Matias Aakko and VV-machine.

Supported by

Lost in Connection Site-specific immersive installation

Year: 2025
Size: approx. 5 m²
Materials and techniques: vector art, animation, Pepper's Ghost hologram, Google Forms, laser cutting, wall paint, repurposed electronics, found materials, repurposed paints, recycled, Finnish thin plywood
Selected through open call: Purkutaide 2025 Parempi Maailma exhibition.

The starting point is the crisis of binary thinking: opposites that could complement one another instead turn against each other.

The installation portrays what happens when we insist on staying polarised, situated just after the end of the world and just before a new beginning. We can still decide which one.

The work is based on the modular visual language of the Vector Meditation series.

Sticker brain Sticker hearts

End of the World, or a New Beginning?

Visitors could take part in the installation directly through a Google Form, accessed via QR-code stickers placed around the space, evaluating their own experience of the end of the world versus a new beginning.

Installation view
Installation view

Photos by Lari Järnefelt and Ilkka Vuorinen & Kiia-Bettina Haikola. Videos by VV-machine.

Portal of Dataomes Site-specific environmental installation

Year: 2024–2025

Materials and techniques: natural pigments, thin plywood, jute rope, vector art and laser cutting.

Commissioned by: Kunsthaus Jägermeister

Exhibitions: Solstice Festival 2024 and Aava in 2025.

The title comes from the dataome, a term coined by astrobiologist Caleb Scharf for all the information we inherit: our culture and knowledge, data, what makes us who we believe are.

The piece is modular and site-specific, so it takes different shape every time it appears.

Portal of Dataomes Closeup Black Portal of Dataomes Closeup White

Photos and videos by Netta Andersson and VV-machine.

Stairway to Home I–III Commissioned mural series

Year: 2025
Materials and techniques: leftover paint, natural pigments, cardboard, vector art and laser cutting.
Commissioned by: Asunto Oy Vesilinnankatu 25

Stairway to Home I–III is a three-part mural commission for the stairwells of a residential apartment building at Vesilinnankatu 25. The designs were developed together with the building's residents, responding to the Alppila area's character, the building's 1930s architecture, and the existing colour palette. Designed digitally as vector art, then laser-cut into cardboard stencils. The stencils were hand-painted using leftover paint, tuned to the exact colours needed with natural pigments.

Photos by Helena Nyytäjä.

Mermaid Slaughterhouse Multidisciplinary art collective

Formed: 2024

Mermaid Slaughterhouse is an art collective formed by Mira Niittymäki, Loviisa Lassila and VV-machine. The collective works to dismantle stereotypes related to femininity and traditional crafts through contemporary art.

Mermaid Slaughterhouse draws connections between ancient mythology, contemporary art and science. The collective works with natural materials traditionally associated with craft, such as self-made fish leather, local pigments and willow, bringing them into modern contexts using digital tools like laser cutting.

Handcraft made by women has long been treated as craft, not fine art. Mermaid Slaughterhouse works against that divide: fish leather as fine art. The collective explores the communal nature of making, grounded in grassroots feminism and ecological thinking, where the personal is understood as political.

Mermaid Slaughterhouse The Hug

Syli (The Hug)

Materials and Techniques: self-made fish leather, clay paint, laser-cut Finnish birch plywood

Exhibitions: Kosmos Festival 2024, Aava 2024 and Arctic15

A site-specific, multidisciplinary installation combining visual art and performance. The work explores the microscopic layers of the forest biosphere and the smallness of the individual within the networks of plants and fungi.

The installation also functions as a stage for Loviisa Lassila's performance, where her alter ego Polina Wolfgang tells the story of a wolf child.

Mermaid Slaughterhouse Virta (The Flow) detail

Virta (The Flow)

Materials and Techniques: self-made fish leather, clay paint, local natural pigments, willow, red clay, fish trap, laser-cut Finnish birch plywood

Exhibitions: Kosmos Festival 2025 and Aava 2025

Virta examines and visualizes the structures and details of a lake ecosystem, from its deepest layers to the whole. The work merges scientific and mythological imagery into a unified visual language.

Henki (Spirit) site-specific installation

Henki (The Spirit)

Materials and Techniques: self-made fish leather, clay paint, local natural pigments, laser-cut Finnish birch plywood

Exhibitions: Mikro-Kosmos 2026

Henki (The Spirit) is an installation combining two collections: Syli (The Hug) and Virta (The Flow).

Bringing these two environments together, Henki (The Spirit) questions whether the forest and the lake, or the human soul and how it understands itself, should be understood as separate entities at all. They aren't. It's people who draw the boundaries.

Itämeren väki performative community art project

Itämeren väki

Started: 2027

Itämeren väki is Mermaid Slaughterhouse collective’s performative community art project that invites feminine power to protect the Baltic Sea. In Finnish tradition, the female genitalia has been regarded as a gateway to the otherworld and believed to contain great spiritual power, known as väki. Through this power, women have been able to protect things through a ritual practice known as harakoiminen.

Photos by Vertti Virasjoki, Tuula Vehanen and Sammy Pettrell.

Infinite Loop™ — Now With More Ideas! Digital art commission

Year: 2026

Technique: digital scalable vector and texture art

Commissioned by: HelSec ry.

Machine Learning, dressed up in its Sunday best as Artificial Intelligence, spinning out a bottomless buffet of Never-Before-Seen™ (terms and conditions may resemble things you've seen before). An effortless shortcut .. simplify now, ask questions later! Confidence delivered by the truckload: the most statistically probable next word, served hot and fact-shaped.

Meet Prototype 1: forever young, forever "almost done," a minimal viable miracle running on vibes and version numbers. Feels like help - some days at least. A quick fix now, a mystery subscription later. Rushed to market ahead of the competition, because who has time for reward when you can have risk? An appetite for power, data, and server farms that never quite says "I'm full."

Infinite Loop™: because average, at scale, feels a lot like genius.

Thank You For Not Toxic Wasting Site-specific sculpture made from locally collected cigarette butts

Year: 2022
Size: 35cm x 50cm x 25cm
Materials and techniques: cigarette butts, chicken wire, paper mache, wood glue
Exhibited: S.A.V Street Art Triennial, Kunsthaus Jägermeister, Yö Galleria.

S.A.V (Street Art Vantaa) invited VV-machine to take part in Myyrmäki's first Street Art Triennial, an event that will now be held every three years. The first edition's theme addressed the temporary nature of street art and ecological approaches to making it.

Thank You For Not Toxic Wasting is made from cigarette butts collected in Myyrmäki. Cigarette butts are the most common form of litter in the world, and one of the biggest contributors to ocean pollution.

Photos by Jesse Pasanen, Tomas Orlowicz and Matias Aakko.